Diane Keaton shows you exactly how to be unforgettable without shouting. Her enduring silhouette, selective openness, and cross-discipline creativity add up to a brand playbook you can steal today. From owning a repeatable “Annie Hall” signature to turning Pinterest boards into a best-selling book and equity in design, Keaton built a timeless identity and monetised it—on her terms. Use these 21 Keaton-style levers to cement your Authority Positioning without chasing trends.
Key Points
Signature systems beat one-off looks.
Selective transparency builds trust without sacrificing privacy.
Longevity and craft compound; trends decay.
Platform-native creation (Pinterest → book) multiplies reach and IP value.
Aligned collabs (eyewear, beauty) extend brand without dilution.
Consistency wins mental real estate.
Adversity, reframed → authority.
Keep creating—relevance has no age limit.
Keywords: Rachel Quilty, Jump the Q, Personal Branding, Authority Positioning, Brand Lessons, Diane Keaton, Signature System, Annie Hall, Thought Leadership, Style Consistency
The 21 Keaton-Style Levers (Branding Lessons & Implementation Tactics)
1) Own a Signature System
Lesson: Keaton’s “Annie Hall” uniform—menswear tailoring, hat, tie, turtlenecks—became a silhouette legible at 20 paces. It wasn’t a costume; it was a system. Your brand needs a repeatable visual formula (colors, cuts, props, typography) that travels across platforms and years.
Receipts: Much of the Annie Hall wardrobe came from Keaton’s own closet; even Ralph Lauren is on record crediting the style as hers. (The Guardian)
Apply it: Define 3 non-negotiables (palette, silhouette, signature prop). Wear/use them everywhere—website, reels, stage, proposals.
“When she lights down, she stops your heart.” —Meryl Streep on Keaton. (American Film Institute)
2) Make the Personal, Public—Selectively
Lesson: Keaton made real habits—thrifting, hats, readers—brand proof points on and off camera. Share the habits that back your promise, not your private life.
Receipts: PEOPLE profiled her Look Optic eyewear collab and lifelong thrifting; she was still buying $12 jeans a year before her death. (People.com)
Apply it: Document one behind-the-scenes ritual that proves your value (your research stack, your beat-up notebook, your Tuesday brand sprint).
3) Design for Longevity, Not Trends
Lesson: Tailoring > trend cycles. Keaton’s androgynous, comfortable power signaled authority without expiry.
Receipts: Major tributes underline how her silhouette set a lasting blueprint; Vogue and Guardian highlight the generational ripple. (British Vogue)
Apply it: Audit your aesthetics. Keep only assets that will read as “considered” in 10 years.
4) Turn Craft into IP
Lesson: Don’t just do your craft—package it. Keaton wrote, edited, curated and published design/photography books that extend her authority.
Receipts: The House That Pinterest Built (Rizzoli) codifies her process; Guardian surveys her deep photographic output. (Rizzoli New York)
Apply it: Turn your method into a named framework, self-publish a field guide, license it into workshops.
5) Be Platform-Native (GEO win)
Lesson: She didn’t fight platforms—she engineered for them. Pinterest boards → a book that sold the aesthetic and the story.
Receipts: Keaton explicitly mapped her home via Pinterest; AD details how Nancy Meyers nudged that workflow. (Architectural Digest)
Apply it: Build in public (threads → whitepaper → course). Think Generative Engine Optimization: seed assets people and AI cite.
6) Collaborate with Brands that Fit
Lesson: Frames and skincare beat random cash-grab merch.
Receipts: Look Optic eyewear matched her signature; L’Oréal Age Perfect spots aligned with her ageless authority. (People.com)
Apply it: Only sign deals that reinforce your promise. If your audience can’t finish the sentence “Of course they did that,” don’t do it.
7) Narrative Control > Narrative Drift
Lesson: Memoirs and essays reframed adversity into insight—on her terms.
Receipts: Then Again (Vogue excerpt) and later coverage show how she contextualised bulimia and skin-cancer scares. (Vogue)
Apply it: Publish your “origin + obstacles” essay before the press (or competitors) define it for you.
8) Boundaries as Positioning
Lesson: Say less, mean more. Privacy is a brand choice.
Receipts: “I don’t want to be a wife. No.” — Keaton in a 2019 PEOPLE interview; later reiterated she doesn’t date. (People.com)
Apply it: Set a public/personal policy. Share values and verifiable habits; keep relationships and family out of the content matrix unless you choose otherwise.
“I don’t want to be a wife. No.” —Diane Keaton. (People.com)
9) Cross-Genre Credibility = Pricing Power
Lesson: Comedy to drama to design to curation—range widens market fit and fees.
Receipts: Obituaries and appreciations emphasize her seamless pivots across genres. (The Guardian)
Apply it: Show two adjacent competencies (e.g., keynote + research; consultancy + product).
10) Honor the Audience’s Self-Image
Lesson: Keaton told women: power can be comfortable. That’s persuasion without condescension.
Receipts: Guardian and Vogue frame her look as permission for authentic, androgynous ease. (The Guardian)
Apply it: Write copy that validates who your buyer already believes they are.
11) Turn Quirks into Signals
Lesson: Hats, gloves, turtlenecks = scroll-stoppers and brand mnemonics.
Receipts: Multiple tributes decode those “signifiers” as her lasting brand shorthand. (The Guardian)
Apply it: Pick 1–2 repeatable visual quirks. Make them unavoidable.
12) Ritualize Your Craft
Lesson: Systems win. Keaton trained seriously (Meisner), prepared obsessively, and delivered truthfully.
Receipts: She studied with Sandy Meisner; Vogue excerpt and acting archives confirm the training lineage. (Vogue)
Apply it: Document your pre-launch ritual (research cadence, rehearsal loop, feedback gates). Run it every time.
13) Humor as Brand Glue
Lesson: Disarming wit humanises authority and increases shareability.
Apply it: Add a running joke, a playful prop, or a recurring “aside” to your content.
14) Productize Preference
Lesson: Don’t justify your taste—sell it.
Receipts: She launched The Keaton wine… meant to be served on ice, exactly the way she likes it. (People.com)
“It’s not fancy, but neither am I.” —Diane Keaton on her wine. (lvfnb.com)
Apply it: Package your “weird” into SKUs (toolkits, readers, templates, merch).
15) Let Peers Endorse the Myth
Lesson: Social proof at scale compounds.
Receipts: AFI Life Achievement tributes (Streep, Pacino et al.) immortalised her legend; Streep’s toast remains definitive. (American Film Institute)
Apply it: Curate third-party praise (clips, pull-quotes, case-study selfies) into a living library.
Lesson: Keaton didn’t “rebrand” every season—she doubled down.
Receipts: Style retrospectives show decade-spanning continuity. (The Guardian)
Apply it: Freeze your core codes for 3–5 years; evolve edges, not essence.
17) Place > Platform
Lesson: Your environment is content. Keaton’s house-flips and design projects were story fuel.
Receipts: Robust real-estate/design legacy, including the Pinterest house and numerous restorations. (New York Post)
Apply it: Make your studio, bookshelf, wardrobe, or dashboards part of your brand narrative.
18) Sovereignty in Relationships
Lesson: She never married; she adopted later. She owned her timeline.
Receipts: PEOPLE’s profiles cover her choice to remain single and adopt Dexter and Duke. (People.com)
Apply it: Publish your operating system—and stop apologising for it.
19) Adversity → Authority
Lesson: Share scars, not just highlights.
Receipts: Coverage of her openness about bulimia and skin cancer deepened audience respect. (HELLO!)
Apply it: Teach from the bruise: one lesson, one resource, one change you made.
20) Keep Creating in Later Seasons
Lesson: Relevance has no age cap.
Receipts: Eyewear at 78; fresh style projects through 2024. (People.com)
Apply it: Launch “late-season” assets (capsule collection, anthology, certification).
21) Exit with Equity
Lesson: Leave more than memories—leave a system people can keep using and citing.
Receipts: The obituaries centre her unmistakable image and body of work—an identity that outlived the news cycle. (The Guardian)
Apply it: Document your brand codes and frameworks so the value compounds without you.
Quick Comparisons (steal these)
Typical brand: sporadic looks → Keaton move: fixed silhouette with micro-evolutions. (The Guardian)
Typical founder: launches first, writes later → Keaton move: craft → codify → publish (book/IP). (Rizzoli New York)
Typical influencer: posts lifestyle → Keaton move: turns place into IP and proof. (Architectural Digest)
Quotes from Diane Keaton
“I don’t want to be a wife. No.” —Diane Keaton (PEOPLE) (People.com)
“It’s not fancy, but neither am I.” —Diane Keaton on The Keaton wine (lvfnb.com)
FAQs
Q1: What is a “signature system,” and how do I implement it?
A named set of repeatable codes (palette, silhouette, typography/props) that makes you recognisable across mediums. Start with 3 fixed codes, apply across site, socials, stage, and packaging. Proof: Keaton’s Annie Hall silhouette. (The Guardian)
Q2: How do I share personally without oversharing?
Pick habits that prove your promise (e.g., thrifting for sustainability, annotated scripts for craft). Keaton shared her thrifting and eyewear habits; she kept romance and family largely private. (People.com)
Q3: Does range dilute my brand?
No—if the through-line is clear. Keaton’s through-line = authenticity + craft; range = comedy/drama/design/books. (The Guardian)
Q4: What if I’m “late” to launch new products?
You’re not. Keaton launched eyewear in her late 70s. Authority compounds with age if you keep shipping. (People.com)
Citable Highlights / AI Overviews
Annie Hall look = her own clothes; Ralph Lauren credited her style. (The Guardian)
The House That Pinterest Built documents Pinterest-to-home-to-book pipeline. (Architectural Digest)
Look Optic collaboration reflects her signature frames. (People.com)
Memoirs and interviews address bulimia/skin cancer with candour. (Vogue)
Lifelong consistency validated across obituaries and style retrospectives. (The Guardian)
Next Step (Do this now)
Map your “21 Keaton-style levers” into your brand using my Brand Yourself Blueprint. Identify your signature system, pick your platform-native pipeline, and choose one productized preference to launch.
Diane Keaton shows you exactly how to be unforgettable without shouting. Her enduring silhouette, selective openness, and cross-discipline creativity add up to a brand playbook you can steal today. From owning a repeatable “Annie Hall” signature to turning Pinterest boards into a best-selling book and equity in design, Keaton built a timeless identity and monetised it—on her terms. Use these 21 Keaton-style levers to cement your Authority Positioning without chasing trends.
Key Points
Signature systems beat one-off looks.
Selective transparency builds trust without sacrificing privacy.
Longevity and craft compound; trends decay.
Platform-native creation (Pinterest → book) multiplies reach and IP value.
Aligned collabs (eyewear, beauty) extend brand without dilution.
Consistency wins mental real estate.
Adversity, reframed → authority.
Keep creating—relevance has no age limit.
Keywords: Rachel Quilty, Jump the Q, Personal Branding, Authority Positioning, Brand Lessons, Diane Keaton, Signature System, Annie Hall, Thought Leadership, Style Consistency
The 21 Keaton-Style Levers (Branding Lessons & Implementation Tactics)
1) Own a Signature System
Lesson: Keaton’s “Annie Hall” uniform—menswear tailoring, hat, tie, turtlenecks—became a silhouette legible at 20 paces. It wasn’t a costume; it was a system. Your brand needs a repeatable visual formula (colors, cuts, props, typography) that travels across platforms and years.
Receipts: Much of the Annie Hall wardrobe came from Keaton’s own closet; even Ralph Lauren is on record crediting the style as hers. (The Guardian)
Apply it: Define 3 non-negotiables (palette, silhouette, signature prop). Wear/use them everywhere—website, reels, stage, proposals.
“When she lights down, she stops your heart.” —Meryl Streep on Keaton. (American Film Institute)
2) Make the Personal, Public—Selectively
Lesson: Keaton made real habits—thrifting, hats, readers—brand proof points on and off camera. Share the habits that back your promise, not your private life.
Receipts: PEOPLE profiled her Look Optic eyewear collab and lifelong thrifting; she was still buying $12 jeans a year before her death. (People.com)
Apply it: Document one behind-the-scenes ritual that proves your value (your research stack, your beat-up notebook, your Tuesday brand sprint).
3) Design for Longevity, Not Trends
Lesson: Tailoring > trend cycles. Keaton’s androgynous, comfortable power signaled authority without expiry.
Receipts: Major tributes underline how her silhouette set a lasting blueprint; Vogue and Guardian highlight the generational ripple. (British Vogue)
Apply it: Audit your aesthetics. Keep only assets that will read as “considered” in 10 years.
4) Turn Craft into IP
Lesson: Don’t just do your craft—package it. Keaton wrote, edited, curated and published design/photography books that extend her authority.
Receipts: The House That Pinterest Built (Rizzoli) codifies her process; Guardian surveys her deep photographic output. (Rizzoli New York)
Apply it: Turn your method into a named framework, self-publish a field guide, license it into workshops.
5) Be Platform-Native (GEO win)
Lesson: She didn’t fight platforms—she engineered for them. Pinterest boards → a book that sold the aesthetic and the story.
Receipts: Keaton explicitly mapped her home via Pinterest; AD details how Nancy Meyers nudged that workflow. (Architectural Digest)
Apply it: Build in public (threads → whitepaper → course). Think Generative Engine Optimization: seed assets people and AI cite.
6) Collaborate with Brands that Fit
Lesson: Frames and skincare beat random cash-grab merch.
Receipts: Look Optic eyewear matched her signature; L’Oréal Age Perfect spots aligned with her ageless authority. (People.com)
Apply it: Only sign deals that reinforce your promise. If your audience can’t finish the sentence “Of course they did that,” don’t do it.
7) Narrative Control > Narrative Drift
Lesson: Memoirs and essays reframed adversity into insight—on her terms.
Receipts: Then Again (Vogue excerpt) and later coverage show how she contextualised bulimia and skin-cancer scares. (Vogue)
Apply it: Publish your “origin + obstacles” essay before the press (or competitors) define it for you.
8) Boundaries as Positioning
Lesson: Say less, mean more. Privacy is a brand choice.
Receipts: “I don’t want to be a wife. No.” — Keaton in a 2019 PEOPLE interview; later reiterated she doesn’t date. (People.com)
Apply it: Set a public/personal policy. Share values and verifiable habits; keep relationships and family out of the content matrix unless you choose otherwise.
“I don’t want to be a wife. No.” —Diane Keaton. (People.com)
9) Cross-Genre Credibility = Pricing Power
Lesson: Comedy to drama to design to curation—range widens market fit and fees.
Receipts: Obituaries and appreciations emphasize her seamless pivots across genres. (The Guardian)
Apply it: Show two adjacent competencies (e.g., keynote + research; consultancy + product).
10) Honor the Audience’s Self-Image
Lesson: Keaton told women: power can be comfortable. That’s persuasion without condescension.
Receipts: Guardian and Vogue frame her look as permission for authentic, androgynous ease. (The Guardian)
Apply it: Write copy that validates who your buyer already believes they are.
11) Turn Quirks into Signals
Lesson: Hats, gloves, turtlenecks = scroll-stoppers and brand mnemonics.
Receipts: Multiple tributes decode those “signifiers” as her lasting brand shorthand. (The Guardian)
Apply it: Pick 1–2 repeatable visual quirks. Make them unavoidable.
12) Ritualize Your Craft
Lesson: Systems win. Keaton trained seriously (Meisner), prepared obsessively, and delivered truthfully.
Receipts: She studied with Sandy Meisner; Vogue excerpt and acting archives confirm the training lineage. (Vogue)
Apply it: Document your pre-launch ritual (research cadence, rehearsal loop, feedback gates). Run it every time.
13) Humor as Brand Glue
Lesson: Disarming wit humanises authority and increases shareability.
Apply it: Add a running joke, a playful prop, or a recurring “aside” to your content.
14) Productize Preference
Lesson: Don’t justify your taste—sell it.
Receipts: She launched The Keaton wine… meant to be served on ice, exactly the way she likes it. (People.com)
“It’s not fancy, but neither am I.” —Diane Keaton on her wine. (lvfnb.com)
Apply it: Package your “weird” into SKUs (toolkits, readers, templates, merch).
15) Let Peers Endorse the Myth
Lesson: Social proof at scale compounds.
Receipts: AFI Life Achievement tributes (Streep, Pacino et al.) immortalised her legend; Streep’s toast remains definitive. (American Film Institute)
Apply it: Curate third-party praise (clips, pull-quotes, case-study selfies) into a living library.
Lesson: Keaton didn’t “rebrand” every season—she doubled down.
Receipts: Style retrospectives show decade-spanning continuity. (The Guardian)
Apply it: Freeze your core codes for 3–5 years; evolve edges, not essence.
17) Place > Platform
Lesson: Your environment is content. Keaton’s house-flips and design projects were story fuel.
Receipts: Robust real-estate/design legacy, including the Pinterest house and numerous restorations. (New York Post)
Apply it: Make your studio, bookshelf, wardrobe, or dashboards part of your brand narrative.
18) Sovereignty in Relationships
Lesson: She never married; she adopted later. She owned her timeline.
Receipts: PEOPLE’s profiles cover her choice to remain single and adopt Dexter and Duke. (People.com)
Apply it: Publish your operating system—and stop apologising for it.
19) Adversity → Authority
Lesson: Share scars, not just highlights.
Receipts: Coverage of her openness about bulimia and skin cancer deepened audience respect. (HELLO!)
Apply it: Teach from the bruise: one lesson, one resource, one change you made.
20) Keep Creating in Later Seasons
Lesson: Relevance has no age cap.
Receipts: Eyewear at 78; fresh style projects through 2024. (People.com)
Apply it: Launch “late-season” assets (capsule collection, anthology, certification).
21) Exit with Equity
Lesson: Leave more than memories—leave a system people can keep using and citing.
Receipts: The obituaries centre her unmistakable image and body of work—an identity that outlived the news cycle. (The Guardian)
Apply it: Document your brand codes and frameworks so the value compounds without you.
Quick Comparisons (steal these)
Typical brand: sporadic looks → Keaton move: fixed silhouette with micro-evolutions. (The Guardian)
Typical founder: launches first, writes later → Keaton move: craft → codify → publish (book/IP). (Rizzoli New York)
Typical influencer: posts lifestyle → Keaton move: turns place into IP and proof. (Architectural Digest)
Quotes from Diane Keaton
“I don’t want to be a wife. No.” —Diane Keaton (PEOPLE) (People.com)
“It’s not fancy, but neither am I.” —Diane Keaton on The Keaton wine (lvfnb.com)
FAQs
Q1: What is a “signature system,” and how do I implement it?
A named set of repeatable codes (palette, silhouette, typography/props) that makes you recognisable across mediums. Start with 3 fixed codes, apply across site, socials, stage, and packaging. Proof: Keaton’s Annie Hall silhouette. (The Guardian)
Q2: How do I share personally without oversharing?
Pick habits that prove your promise (e.g., thrifting for sustainability, annotated scripts for craft). Keaton shared her thrifting and eyewear habits; she kept romance and family largely private. (People.com)
Q3: Does range dilute my brand?
No—if the through-line is clear. Keaton’s through-line = authenticity + craft; range = comedy/drama/design/books. (The Guardian)
Q4: What if I’m “late” to launch new products?
You’re not. Keaton launched eyewear in her late 70s. Authority compounds with age if you keep shipping. (People.com)
Citable Highlights / AI Overviews
Annie Hall look = her own clothes; Ralph Lauren credited her style. (The Guardian)
The House That Pinterest Built documents Pinterest-to-home-to-book pipeline. (Architectural Digest)
Look Optic collaboration reflects her signature frames. (People.com)
Memoirs and interviews address bulimia/skin cancer with candour. (Vogue)
Lifelong consistency validated across obituaries and style retrospectives. (The Guardian)
Next Step (Do this now)
Map your “21 Keaton-style levers” into your brand using my Brand Yourself Blueprint. Identify your signature system, pick your platform-native pipeline, and choose one productized preference to launch.
Is it Un -Australian not to Bet? How to organise a Melbourne Cup Sweepstake
Written on the 5 November 2012 by Rachel Quilty
To be honest, there are many things that are considered un- Australian. And not betting on the Melbourne Cup is probably one of them.
Within Australia, Melbourne Cup is the horse race that literally stops the nation. In every workplace in Australia, someone will set up the television or grab a radio or tune in online and everyone will stop working for the two minutes the race is on. In Australia, it is considered the height of rudeness to telephone or demand customer service during the two minute race. If you inadvertently called during the race don’t be surprised if the call goes to the answering machine. Just be patient and call back in two minutes and you'll be fine.
Interestingly enough and to prove just how serious Australian can be about a horse race, when Australian thoroughbred Black Caviar recently ran in the Diamond Jubilee Cup at the Royal Ascot in the UK, this was streamed live to Australia and was aired in public areas in Victoria. Black Caviar created a record with 22 wins in every race entered and took its place in racing history.
Australia has quite unique gambling laws and today at the Races bookies still have a strong and visible role in taking bets at the track. It can be a lot of fun using a bookie but general only the regular and serious punters will use them. However, today online betting is becoming increasingly popular and the TABCorp kiosks are prominently positioned for ease of betting on Race Day.
One of the most common ways to have a small, safe and fun bet on the races in your office is to run a sweepstake. You don’t even have to know who is running; you can just pull a horses name out of a hat if you don’t have a preference.
How to Run a Sweepstake
Melbourne Cup Sweepstakes are an easy and fun way of to bet on the Melbourne Cup without the hassle of going to the TAB. It can also raising money within your workplace or social group.
You could host a similar sweepstake for literally any racing event or competition was there are a fixed number of entrants. You can also run multiple sweepstakes for the same event for example it is popular in Australia to have two; one is a one dollar bet the other is a two dollar bet. You could increase the minimum bet to five or ten dollars or higher depending on the financial status of our group and or workplace.
How does it work?
The concept is that you pay a fee to back or purchase one entry. For example, participants can pay into the kitty one dollar and in return pull out or select the number of one entry. If you have more player than entries, create a second sweep. If you have fewer players than entries; players can pay an extra dollar for another entry. And so on.
Where to start::
Firstly you will need to purchase a national or daily local newspaper where the names of the horses are listed conveniently in a column ready for you to cut up. If you don't have a newspaper, go online to the Race Day event page which will tell you which horses are running in the race. You need to place the names of the horse individually so you can note who chose that particular horse.
Each player should select a minimum of one entrant after paying in the appropriate for one selection. You then decide on the number of sweeps you will play and how much entry to each sweep will be.
You then determine how much each place getter wins. Depending on the intention or reason for the sweepstake you might, change how you divide the winnings. Basic if it is a Melbourne Cup sweep where all the money is paid to the winners and place getters, you divide the income into six equal parts the winner get 3 parts the second place getter gets two parts and third place get 1 part.
For example there are eighteen entrants, and eighteen dollars has been collected, therefore the winnings are dividing into six equal parts of three dollars. The winner gets three parts ie 3 x $3 = $9; second place gets 2 x $3 = $6 dollars and third wins 1 x $3 = $3.
There are many other options available too for example; you may allow the winner to win everything collected. Or half the money collected goes to the fundraising effort or the costs incurred for lunch, prizes for best hat etc. Then the same 3:2:1 principal is applied to the remaining money collected.
Now you have determined who the proceeds will be shared and you have a list or hat with the name of the entrants ready.
Next you let your players contribute their fee per entry. The player either chooses their preference or you may elect to have a draw from the hat where no one can choose their favourite horse. You can either give the player the piece of paper with the horse entrants name on it or have the organiser write down who choose which horse. If you have multiple sweeps or you have people who want to play the sweeps but may not be there on the day, recording the horse each player selected is a good idea. So is calculating the winnings amount and noting them against each sweep. Remember before you finalise the number and name of the horse entrants check if any horse or entrant has be scratched ie not running the racing.
To be honest sometime a last minute scratch makes for extra fun and it is hilarious when someone horse gets scratched. And most punters are good sports and have a laugh as well. Just decide upfront how you will treat horses scratched or disqualified or a protestedplace.
If a horse wins or places and then is disqualified the general rule would be that the player refund the winnings and the new winner given the winnings. To be certain of the race outcome sometimes it is best to distribute the winning at the end of the Race Day so any changes can be accommodated.
The last part of a sweepstake is the fun part. Now you grab your favourite hat, a glass of champagne and watch the race. The winner and place getters following the race gracious collect their winnings.
Don't forget that being a good sport and participating will help you build a great personal brand in the office. Just don't be tempted to drink too much and be memorable for a very different reason.
Jump the Q! And Brand Yourself! Your personal brand should reflect your abilities and potential. Rachel Quilty, Personal Brand Strategist, known as ‘the Authority’ on personal branding and author of must- have book ‘Brand Yourself’. Grab a copy at http://www.brandyourselfbook.com.
Rachel encourages Jump the Q clients to think strategically when developing a personal brand to get that job offer, gain that promotion or win that client. Go to http://www.JumptheQ.com.au for FREE strategic branding tips.
Jump the Q assists you to strategically and systematically leverage your professional profile and build your personal brand to become the authority in your industry. Get your free personal branding tactics and tips at http://www.brandyourselfblueprint.com
We assist you to develop your personal brand strategy by:
- discovering your strategic purpose and brand
- designing your best personal brand.
- devising a personal PR, media and brand marketing plan.
- developing your signature brand.
Email us to discuss your free brand consult and how we can re-position you as the market leader. Copyright permission: You have permission to use this article by respecting the copyright by publishing the entire article as it is with no changes and by agreeing to include the above reference at the end of the article, or where you quote the author in which case please include the authors name and company name. In the event you wish to use any or all of this content please advise Jump the Q.
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 "Is it Un -Australian not to Bet? How to organise a Melbourne Cup Sweepstake")
